Rabarama explores, in this cycle of sculptural works made in the same period, the body as a container of our soul and our emotions. The painting has several meanings: first of all, the flowers are linked to the metaphor of the vase and it is therefore possible to associate them also with all those sensations that are part of us, made visible on the skin; to this is added the explicit connection with nature and the great mother Earth. Fundamental for the human being is to rediscover the deep bond with the instinctive part of him and that connects him with nature, which gives us sustenance and which must be respected. We are part of an immense universe and, as our body does with emotions, it too collects the energies of every living being so that they become an integral part of the whole. The title and the pose further enrich the meaning: the figure seems to be looking for a balance, assuming a flexible position. All this is a metaphor to indicate that, through an adaptation to the situation, which can be physical, mental and spiritual, our performance can have an advantage, which will not only benefit us, but also the benefit of others.